EXCLUSIVE: ECSTATIC Harshvardhan Rane talks about Ek Deewane Ki Deewaniyat's roadshows and being mobbed by fans like never before: "Har sheher mein fans ke nakhuno se mera thoda sa khoon nikla hai. Lekin mera khoon ab mera nahi, unka hai"
2025 is truly the year of Harshvardhan Rane. In February, his much-loved love saga, Sanam Teri Kasam, re-released in cinemas and emerged as the biggest re-run hit of all time. On Diwali, his film, Ek Deewane Ki Deewaniyat, released despite several challenges. Yet, it managed to succeed based on the support of the mass audience and is all set to cross the Rs. 75 crore mark. In a rare instance, Harshvardhan Rane and co-star Sonam Bajwa didn’t do any pre-release promotions. Once the film scored at the ticket window, the actor set on a ‘vijay yatra’, that is, roadshows in the mass centres in the hinterland. The way the fans mobbed him is seen to be believed. It was also heartening as well as a bit scary to see Harshvardhan jumping into the crowd. A video, shot in Jaipur’s iconic cinema, Raj Mandir, shows the dashing performer being pulled by the fans on one side and the security team from the other, the latter saving him from getting hurt in the process.
Back from the roadshow, Harshvardhan Rane, in an exclusive interview with Bollywood Hungama, spoke about this promotional exercise. While other actors prefer to keep a distance, the actor is an exception. We asked him about it. In his trademark style, Harshvardhan said, “Har sheher mein fans ke nakhuno se mera thoda sa khoon nikla hai. Lekin mera khoon ab mera nahi, unka hai (smiles)!”
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Working on the back stories
Chatting with Harshvardhan Rane is always an enriching experience as his replies are never the usual, even for the usual questions. And when the questions are pointed towards his process of working on a film, you can be assured of an in-depth, fascinating answer.
This is what happened when the writer asked him about director Milap Zaveri’s recent revelation, in an exclusive interview to Bollywood Hungama, that Harshvardhan Rane gave valuable inputs to the script of Ek Deewane Ki Deewaniyat, especially the entire mother track.
Has Harshvardhan done this in the past as well? He replied, “I have given inputs in all my films (laughs). It is the greatness of Milap sir that he is even talking about it. Any other director would never confess about it. It shows how secure that man is that he even gave me the credit for adding a few vital points.”
Harshvardhan Rane said, “I feel it is a basic responsibility of an actor to give options. I am not saying to compulsorily incorporate my suggestion. Some other directors might not be as accommodating and I understand and respect that. The other basic responsibility of an actor is to write a back story. I wrote the whole backstory of my character in Taish (2020). I wrote the back story related to the tattoo in Sanam Teri Kasam (2016). The director in the film asked me to lift the cat. I asked the reason behind it. He told me, ‘Beta, billi hai. Usko utha ke doodh pila de. Isme kya sawaal puch raha hai’ (laughs)!”
He added, “It so happened that we didn’t shoot the cat scene that day. I went home and wrote the back story – Inder was jailed as a juvenile. It was cold and he heard the cries of a kitten from the prison ventilation window. Inder spoke to some people, begged in front of them and arranged for a packet of biscuits. He threw the biscuit from the ventilation. He heard the kitten consuming it. This happened for a week until one day, he heard a pack of dogs attacking the cat. From that day, he didn’t hear the sound of the cat. This episode formed a huge scar in his formative heart in those delicate years of his life. And this incident made him pick up a cat whenever he saw one.”
Harshvardhan continued, “For just that one small scene, I wrote at length. And I do this for every film (smiles). Writing a back story for an actor should be as common as walking on the left side of the street. In Ek Deewane Ki Deewaniyat, I wrote the entire track about my mother as well as my father. I formed a bond with Shaad Randhawa. If you watch the film again, notice that I always look back at him while I am speaking. This wasn’t mentioned in any scene. Even if I am talking in some other direction, I would touch him or hold him.”
Also Read: Harshvardhan Rane says it’s time to end the nepotism debate as he celebrates the success of ‘Ek Deewane Ki Deewaniyat’
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